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16 stories
The Night Japan Says Thank You to the Moon: Tsukimi 2026 Begins September 25
Japan 5 min read

The Night Japan Says Thank You to the Moon: Tsukimi 2026 Begins September 25

On September 25, 2026, Japan celebrates Jugoya — the harvest moon night — with round dango dumplings, pampas grass, a rabbit said to pound mochi on the moon, a seven-metre glowing Moon in Tokyo, and even a burger with an egg. Here is how to join in, wherever you are.

Why Okinawa’s 2026 Spotlight Feels Like Three Trips in One
Japan 5 min read

Why Okinawa’s 2026 Spotlight Feels Like Three Trips in One

Okinawa’s place on the New York Times 2026 travel list makes sense the moment you look closer. One trip can move from Naha street life to UNESCO heritage, glowing reef water, whale season, and the bright twang of the three-string sanshin.

Seto’s 95th Setomono Matsuri Turns a Pottery Town Into an Autumn Treasure Hunt
Japan 5 min read

Seto’s 95th Setomono Matsuri Turns a Pottery Town Into an Autumn Treasure Hunt

For two September days, Seto’s riverside fills with around 200 ceramic shops, walking streets, workshops, and an evening fireworks show. The 95th Setomono Matsuri is less about spectacle for its own sake and more about the joy of finding one beautiful piece made to be used every day.

ARTE TOKYO 2026 Turns the City Into a Shared Autumn Stage
Japan 5 min read

ARTE TOKYO 2026 Turns the City Into a Shared Autumn Stage

Tokyo’s new international arts festival is taking shape as a citywide invitation rather than a single venue event. With three core districts, street circus, night-garden art, and more than one major partner program already on the calendar, ARTE TOKYO looks set to make autumn in the capital feel unusually open, walkable, and full of discovery.

Oita’s ‘National Treasures Reborn’ Lets You Meet Japanese Masterpieces Up Close
Japan 5 min read

Oita’s ‘National Treasures Reborn’ Lets You Meet Japanese Masterpieces Up Close

In Oita this summer, a joyful exhibition is bringing some of Japan’s most beloved screen paintings back into human scale. Through the Tsuzuri Project, visitors can stand close to high-resolution facsimiles, see the texture without glass, and feel how digital craft and traditional shokunin skill can work beautifully together.

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